This work investigates the phenomenon of contractual networks and, while drawing on interdisciplinary approaches, attempts to position the issue legally, not least with a view to the dogma of contract law. It examines in particular the impacts that result from the “network character” of individual contracts, as well as the associated modifications that are necessary to individual contractual relationships.
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The work at hand examines the origin and content of the law of music adaptation and assigns it dogmatically to the field of copyright law regulations. It also explores the issue of the barriers GEMA ...